We just returned from the Shakespeare Festival in Ashland, Oregon where we saw four plays, two of which were from the Shakespeare canon. The Comedy of Errors was ridiculous, The Tempest was great. The other two were modern dramas full of angst and despair, the kind of thing I like because it’s kinda where I live. It also brings out the best in a cast.
Alf and I have been going to Ashland for 27 years now so you can imagine how many plays that translates into – yikes we should be experts, but we’re not. Acting companies muck around with the settings and costumes and even with some of the lines so every play looks and feels different from year to year. We’ve seen Julius Caesar performed in gym outfits, The Taming of the Shrew in a boardwalk setting (right picture), and Romeo and Juliet with a Mexican backdrop.
This year an African-America cast did the Comedy of Errors (left picture) and the director set it in Harlem, so you can imagine the farce and mayhem on stage. The costumes were everything you’d expect to see in a Sunday church setting. Alf loathed it. I enjoyed the spin.
Our biggest adventure was missing out on the Groucho Marx play, The Cocoanuts. All the other plays were at 8 pm and I assumed this one was too, but no it wasn’t, it was a matinee, and we were at the mall shopping while Groucho was yucking it up with the audience. I could have kicked myself. We rushed to the box office, told them our plight, asked to be added to the next performance only to be told it was on the day we were going home. So Groucho came and went without us. “Man does not control his own fate. The women in his life do that for him.” Alf couldn’t agree more.